![]() Please no nonsensical ramblings or annoying formatting.Īvoid simple questions with specific answers, Generally, questions with a specific obtainable answer do not provide an avenue of discussion and are usually quickly answered or ignored. Provide context in the submission text that directly relates to the title. This is also not the place to share anything offensive or behave in an offensive manner. You can disagree, but if you intentionally try to get a rise of people, it will be removed and/or subject to a ban. ![]() If your entire online personality is to be negative, this isn’t the place for you. This makes others feel welcome and conversation can take place without users being rude to one another. When posting in our community, you should aim to be as polite as possible. We have a set of etiquette guidelines that we expect users to adhere to » Be respectful: We have zero tolerance for harassment, hate speech, bigotry, and/or trolling Maybe you'll make some friends in the process. Share a story, ask a question, or start a conversation about (almost) anything you desire. But also motivating to me, to become that person that could do it.□ r/SeriousConversation The friendlier part of Reddit It was frightening to me on some level, because there was such a division of activities. The whole entire factory came running to watch me do it, because they had never seen a woman blowing glass before. and when I walked in, they wanted me to blow a glass, and I said I would blow a goblet. I got introduced to the factory where Jeff Koons was producing some of his work. I went to Murano about 30 years ago for the first time and I entered a factory. Glass never had women in it, except for packing it, or putting labels on it, or painting it. There were no women maestros, historically, and that was something really important to me - to do something that wasn’t yet done by women. It’s a question I always ask myself: “What is it about this? Is it even valid to stick to one material?” I decided it was the perfect material to express what I wanted to express because it was such a transformative material. One of the things I think about glass and making material-specific art is that there should be a reason to use the material. Then I realized that one of the things I was connecting with was the material itself. I spent a lot of time trying to do that in the six weeks I was there - grow artistically and conceptually, and resonate with the issues. As an accomplished, unapologetic and, yes, demanding woman artist, Czeresko must confront sexist reality TV tropes in addition to art world misogyny.Ī: I feel like my artistic voice was growing throughout the process. Whether you consider her the villain or the heroine of "Blown Away," Czeresko, who days ago turned 58, has emerged as the unlikeliest reality TV star since Wendy Pepper, the Middleburg, Va., mom who stirred up controversy in the debut season of "Project Runway." With thick-rimmed specs, blunt bangs and a flair for provocative, political work, Czeresko cuts a striking figure in the 10-part competition - easily binge-able at 23 minutes an episode - and it's not only because her projects, such as sprouted potatoes and larger-than-life breakfasts, are likely to elicit strong responses of their own. “I think I’m a very polarizing personality,” she says to camera. In the first episode of the glassblowing showdown, the Tulane University-trained, New York City-based artist - a 30-year veteran of the craft - introduces herself as an acquired taste. “Rude.” “Narcissistic.” “Feminist queen.” “The best part of that entire show.” As the Twittersphere has caught up with “Blown Away,” the Canadian reality-competition series that’s taken Netflix by storm, one thing is clear: Deborah Czeresko was right.
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